Excitement About Jazz – Pat Martino (1996, Compact Disc / Trade Paperback) JazzIn this lesson you’ll find out transcribed from Pat’s solo. & nbsp & nbsp Bright Lick 1 [starts at 1:08 in the video] In this first, you’ll see a variety of ultimate Martino concepts throughout the expression: The first concept to check out is the opening 4 notes of the line,. These four notes originated from the, which is a sound Martino frequently checks out over m7 chords in his solos.You’ll also see the G melodic small scale utilized to describe the Gm7 chord, with the highlighting that scale option. Finally, check out the Bb-C-D-F notes over C7, which is a 1235 pattern of that chord. This pattern is not only found in Martino’s playing, however is a favorite of John Coltrane, heard most famously in his solo on allure timeless “Huge Actions.” & nbsp Warm Lick 2 [starts at 2:56 in the video] Apart from the bebop impact at the end of this you’ll see a duplicated melodic expression repeated throughout the very first 5 and a half bars of the line. Sapphire Ng – CONTORTION GUITAR: “Sunny” Pat Martino – Solo Transcription [Guitar TAB] Practice taking this, heard in the 2nd half of the Am7 bar at the start of the line, and repeat it when soloing in your practice regimen. From there, come up with your own melodic expression to repeat in your solos. The secret is to utilize the repeated phrase to, but know when to carry on in your lines so that the lick does not become exaggerated.The Basic Principles Of MTO 12.1: Pat Martino’s The Nature of Guitar – Music Theory& nbsp Warm Lick 3 [starts at 4:23 in the video] Apart from studying single-notes when digging into Martino’s soloing ideas, you’ll likewise desire to go into his use of and chords in his soloing expressions. You can see 2 and three-note shapes being utilized in this line to throughout the expression. Pat Martino’s Linear Expressions – Phase I in all 12 keys, Cycle of Fourths – DAN COSLEY When dealing with double stops on your own, you can take them from arpeggios, minor pentatonic scales, or modes in your solos. & You Can Try This Source [starts at 4:51 in the video] Here’s another repeated Pat Martino lick, though this time the line is not based upon arpeggios or, as you saw in the very first 2 repeated lines in this lesson.